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The 2025 Academy Awards Nominations

by Jake Laycock

The 97th Academy Awards nominations have been announced, painting a vibrant picture of a transformative year in film. “Emilia Pérez,” a groundbreaking musical about a drug kingpin’s gender-affirming journey, leads the pack with 13 nominations, signaling a bold new era of storytelling that celebrates diversity and complex narratives.

Close behind are “The Brutalist,” a powerful historical epic exploring the immigrant experience, and “Wicked,” the screen adaptation of the beloved Broadway musical, each garnering 10 nominations. The nomination list reflects a remarkable range of cinematic voices, from intimate indie productions like “Anora” and “Nickel Boys” to the epic blockbuster “Dune: Part Two.”

The nominations come amid unprecedented challenges for Los Angeles, with recent wildfires devastating the region and causing significant loss of life. The Academy has committed to acknowledging the bravery of those who fought these catastrophic fires during the March telecast, adding a poignant layer of context to this year’s ceremony.

This year’s acting categories showcase remarkable performances and historic moments. Timothée Chalamet’s portrayal of Bob Dylan in “A Complete Unknown” stands alongside Adrien Brody’s performance in “The Brutalist.” In a landmark moment, Karla Sofía Gascón became the first openly transgender actor nominated for an Oscar, representing a significant milestone for representation in Hollywood.

The supporting categories are equally compelling, with “Succession” stars Kieran Culkin and Jeremy Strong receiving nominations, and industry veterans like Demi Moore making powerful comebacks. Zoe Saldaña’s nomination for “Emilia Pérez” and Ariana Grande’s nod for “Wicked” highlight the diverse talent recognized this year.

The 2025 Oscar nominations arrive at a critical moment for the film industry. Streaming platforms continue to reshape how movies are created, distributed, and consumed. Despite challenges including the pandemic and 2023’s labor strikes, the nominations represent resilience and innovation in storytelling.

Best Picture

“Anora,” (Neon) Alex Coco, Samantha Quan and Sean Baker, Producers  

“The Brutalist” (A24)

“A Complete Unknown” (Searchlight) Fred Berger, James Mangold and Alex Heineman, Producers

“Conclave” (Focus Features) Tessa Ross, Juliette Howell and Michael A. Jackman, Producers

“Dune: Part Two” (Warner Bros.) Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers

“Emilia Pérez” (Netflix)

“I’m Still Here” (Sony Pictures Classic)

“Nickel Boys” (Orion Pictures/Amazon MGM Studios)

“The Substance” (MUBI)

“Wicked” (Universal) Marc Platt, Producer

Best Director 

Sean Baker, “Anora” 

Brady Corbet  “The Brutalist”  

James Mangold, “A Complete Unknown”

Jacques Audiard, “Emilia Pérez”  

Coralie Fargeat, “The Substance” 

Actor in a Leading Role 

Adrien Brody, “The Brutalist”  

Timothée Chalamet, “A Complete Unknown”  

Colman Domingo, “Sing Sing”  

Ralph Fiennes, “Conclave”  

Sebastian Stan, “The Apprentice” 

Actress in a Leading Role 

Cynthia Erivo, “Wicked” 

Karla Sofía Gascón, “Emilia Pérez”  

Mikey Madison, “Anora”  

Demi Moore, “The Substance”  

Fernanda Torres, “I’m Still Here”  

Actor in a Supporting Role

Yura Borisov, “Anora” 

Kieran Culkin, “A Real Pain”  

Edward Norton, “A Complete Unknown” 

Guy Pearce, “The Brutalist” 

Jeremy Strong, “The Apprentice”  

Actress in a Supporting Role 

Monica Barbaro, “A Complete Unknown” 

Ariana Grande, “Wicked”

Felicity Jones, “The Brutalist”

Isabella Rossellini, “Conclave” 

Zoe Saldaña, “Emilia Pérez”

Adapted Screenplay

“A Complete Unknown”, Screenplay by James Mangold and Jay Cocks 

“Conclave,” Screenplay by Peter Straughan  

“Emilia Pérez,” Screenplay by Jacques Audiard in collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi

“Nickel Boys,” Screenplay by RaMell Ross & Joslyn Barnes 

“Sing Sing,” Screenplay by Clint Bentley, Greg Kwedar, Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Original Screenplay

“Anora,” Written by Sean Baker  

“The Brutalist,” Written by Brady Corbet, Mona Fastvold 

“A Real Pain,” Written by Jesse Eisenberg 

“September 5,” Written by Moritz Binder, Tim Fehlbaum, Co-Written by Alex David

“The Substance,” Written by Coralie Fargeat 

Animated Short Film 

“Beautiful Men,” (Miyu Distribution) Nicolas Keppens and Brecht Van Elslande 

“In the Shadow of Cypress,” Shirin Sohani and Hossein Molayemi  

“Magic Candies,” (Toei Animation) Daisuke Nishio and Takashi Washio

“Wander to Wonder,” ” (Miyu Distribution) Nina Gantz and Stienette Bosklopper

“Yuck!” (Miyu Distribution) Loïc Espuche and Juliette Marquet

Costume Design 

“A Complete Unknown,” Arianne Phillips  

“Conclave,” Lisy Christl  

“Gladiator II,” Janty Yates and Dave Crossman  

“Nosferatu,” Linda Muir  

“Wicked,” Paul Tazewell  

Live Action Short Film

“A Lien,” Sam Cutler-Kreutz and David Cutler-Kreutz  

“Anuja,” Adam J. Graves and Suchitra Mattai  

“I’m Not a Robot” (The New Yorker) Victoria Warmerdam and Trent

“The Last Ranger,” Cindy Lee and Darwin Shaw  

“The Man Who Could Not Remain Silent” (Manifest) Nebojša Slijepčević and Danijel Pek

Makeup and Hairstyling 

“A Different Man,” Mike Marino, David Presto and Crystal Jurado 

“Emilia Pérez,” Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

“Nosferatu,” David White, Traci Loader and Suzanne StokesMunton  

“The Substance,” Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli

 “Wicked,” Frances Hannon, Laura Blount and Sarah Nuth  

Original Score

“The Brutalist,” Daniel Blumberg  

“Conclave,” Volker Bertelmann 

“Emilia Pérez,” Clément Ducol and Camille  

“Wicked,” John Powell and Stephen Schwartz

“The Wild Robot,” Kris Bowers

Animated Feature Film 

“Flow” (Sideshow/Janus Films)
“Inside Out 2” (Walt Disney) Kelsey Mann and Mark Nielsen

“Memoir of a Snail” (IFC Films) Adam Elliot and Liz Kearney

“Wallace & Gromit: Vengeance Most Fowl” (Netflix)

“The Wild Robot” (Universal) Chris Sanders and Jeff Hermann

Cinematography 

“The Brutalist,” Lol Crawley  

“Dune: Part Two,” Greig Fraser 

“Emilia Pérez,” Paul Guilhaume  

“Maria,” Ed Lachman  

“Nosferatu,” Jarin Blaschke  

Documentary Feature Film 

“Black Box Diaries” (MTV Documentary Films) Shiori Ito, Eric Nyari and Hanna Aqvilin

“No Other Land,” Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham

“Porcelain War” (Picturehouse) Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen

“Soundtrack to a Coup d’Etat” (Kino Lorber) Johan Grimonprez, Daan Milius and Rémi Grellety

“Sugarcane” (National Geographic Documentary Films)

Documentary Short Film 

“Death by Numbers” Kim A. Snyder and Janique L. Robillard

“I Am Ready, Warden” (MTV Documentary Films) Smriti Mundhra and Maya Gnyp

“Incident” (The New Yorker) Bill Morrison and Jamie Kalven

“Instruments of a Beating Heart”  (The New York Times OpDocs/Cineric Creative) Ema Ryan Yamazaki and Eric Nyari

“The Only Girl in the Orchestra” (Netflix) Molly O’Brien and Lisa Remington

Film Editing

“Anora” Sean Baker

“The Brutalist” David Jancso

“Conclave” Nick Emerson 

“Emilia Pérez” Juliette Welfling

“Wicked” Myron Kerstein 

International Feature Film 

“I’m Still Here,” Brazil 

“The Girl with the Needle,” Denmark 

“Emilia Pérez,” France  

“The Seed of the Sacred Fig,” Germany  

“Flow,” Latvia

Original Song

“El Mal” from “Emilia Pérez,” Music by Clément Ducol and Camille, Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from “The Six Triple Eight,” Music and Lyric by Diane Warren  

“Like a Bird” from “Sing Sing,” Music and Lyric by Abraham Alexander and Adrian Quesada
“Mi Camino” from “Emilia Pérez,” Music and Lyric by Camille and Clément Ducol 

“Never Too Late” from “Elton John: Never Too Late,” Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Production Design 

“The Brutalist,” Production Design: Judy Becker, Set Decoration: Patricia Cuccia

“Conclave,” Production Design: Suzie Davies, Set Decoration: Cynthia Sleiter

“Dune: Part Two,” Production Design: Patrice Vermette, Set Decoration: Shane Vieau

“Nosferatu,” Production Design: Craig Lathrop, Set Decoration: Beatrice Brentnerová

“Wicked,” Production Design: Nathan Crowley, Set Decoration: Lee Sandales

Sound

“A Complete Unknown,” Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco 

“Dune: Part Two,” Gareth John, Richard King, Ron Bartlett and Doug Hemphill

“Emilia Perez,” Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta

“Wicked,” Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis

“The Wild Robot,” Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Visual Effects

“Alien: Romulus,” Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan

“Better Man,”  Luke Millar, David Clayton, Keith Herft and Peter Stubbs

“Dune: Part Two,” Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer

“Kingdom of the Planet of the Apes,” Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke

“Wicked,” Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

The ceremony will be hosted by Conan O’Brien on March 2nd at the Dolby Theatre, marking his first time as Oscars host. In a sign of changing times, the show will simultaneously air on ABC and stream live on Hulu, bridging traditional and modern viewing experiences.

These nominations not only celebrate individual achievements but also reflect the ongoing evolution of cinema—a testament to the power of storytelling in challenging times.

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