Robert Duvall died 95
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Remembering Robert Duvall: The Character Actor's Character Actor Dies at 95

From the banks of the Nung River to the dusty trails of Lonesome Dove, we look back at the life of a true cinematic giant.

by Jake Laycock
4 minutes read

If you’ve ever quoted “I love the smell of napalm in the morning” or felt a chill as Boo Radley lingered in the shadows, you’ve felt the power of Robert Duvall. The steely-eyed actor, who delivered iconic performances across seven decades with a quiet intensity few could match, has died. He was 95.

Duvall, who received an Academy Award for his tender performance as a washed-up country singer in Tender Mercies (1983), passed away Sunday at his home on his Virginia ranch. His wife, Luciana, confirmed the news, stating he was “surrounded by love and comfort.” While the world mourns the loss of an all-time great, those closest to him remember the man behind the legend.

A Giant Among Giants: The Godfather and The Colonel

To call Robert Duvall versatile is an understatement; he was an acting chameleon. He first distinguished himself without uttering a single word as the reclusive Boo Radley in To Kill a Mockingbird (1962)—a role that immediately signaled the arrival of a major talent. That performance caught the attention of a young Francis Ford Coppola, who would become a major collaborator.

Coppola first cast Duvall in The Rain People (1969) before handing him the role of the stoic family lawyer Tom Hagen in The Godfather (1972) and The Godfather Part II (1974). It was a masterclass in restraint. But it was Coppola’s Apocalypse Now (1979) that gave pop culture one of its most enduring moments. As the surfing-obsessed Lt. Col. Bill Kilgore, Duvall delivered the now-legendary line, “I love the smell of napalm in the morning,” in a single, flawless take amidst real explosions and jet flyovers. “There wasn’t any time to think,” Duvall later told Roger Ebert. “I just got completely into the character.”

His Favorite Role: The Heart of the West

While audiences may argue over his best performance, Duvall himself had a clear favorite: the witty and philosophical ex-Texas Ranger Augustus “Gus” McCrae in the 1989 miniseries Lonesome Dove. Based on Larry McMurtry’s Pulitzer Prize-winning novel, the role allowed Duvall to blend his expert horsemanship with his deep love for character-driven storytelling.

“I walked into the wardrobe room one day on Lonesome Dove and said, ‘Boys, we’re making the Godfather of Westerns,'” he told Stephen Colbert in 2021. The role was so significant to him that he later told American Cowboy magazine, “Playing Augustus McCrae was kind of like my Hamlet. I can retire now, I’ve done something I can be proud of.”

The Working Man’s Actor: From Tender Mercies to The Apostle

Duvall was a private person who shunned the Hollywood limelight, preferring his Virginia ranch. His approach to acting was one of deep, organic discovery. “Be willing to start from zero… let the process take you to the result,” he once said of his craft.

This philosophy earned him seven Oscar nominations. Beyond his work for Coppola, he received nods for the gritty Marine pilot in The Great Santini (1979), the vicious lawyer in A Civil Action (1998), and the small-town judge in The Judge (2015). But his two most personal projects stand out: winning the Oscar for the understated Tender Mercies (for which he also performed his own country ballads) and writing, directing, and starring in the passion project The Apostle (1997), where he played a flawed yet fervent Pentecostal preacher.

His filmography is a treasure map of American cinema. He rode with John Wayne in True Grit (1969), clashed with executives in Network (1976), and stepped up to the plate in The Natural (1984). He brought authenticity to cops in Colors (1988) and grit to indie films long before it was trendy, championing Robert Redford’s Sundance Festival in its early days.

Robert Duvall’s legacy isn’t just in the lines he spoke, but in the silences he held and the humanity he found in every character. He was, as his wife Luciana beautifully put it, a man who gave everything “to the truth of the human spirit.” From the streets of New York, where he once roomed with Dustin Hoffman and shared meals with Gene Hackman, to the hills of Montana and the sets of Hollywood, Duvall remained an actor’s actor: authentic, uncompromising, and unforgettable.

Our thoughts are with his family and friends.

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